So the method I came up with is to draw only a very basic guideline for the largest of branches with a wet erase marker. Then, as I go along remove a section of the line at a time with a dampened Qtip. Seriously….I must be nuts.
...artist in the grip of an existential crisis...or maybe not...frequently found tilting at windmills
Saturday, July 17, 2010
Chapter 2, in which we learn that the artist is nuts.
Freeform. I guess. I don’t quite know what to call this method of working. I typically work on primed MDF or thinset-coated Wedi. With either of those I’ll draw my design right on the substrate, in varying degrees of detail. Actually, usually not much detail. With glass on glass I have always used transparent glass for the “on glass” part, and could place the design underneath. So here’s a piece of opaque glass that I can’t really draw on, and can’t see through. Huh.
So the method I came up with is to draw only a very basic guideline for the largest of branches with a wet erase marker. Then, as I go along remove a section of the line at a time with a dampened Qtip. Seriously….I must be nuts.
So the method I came up with is to draw only a very basic guideline for the largest of branches with a wet erase marker. Then, as I go along remove a section of the line at a time with a dampened Qtip. Seriously….I must be nuts.
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Yes, damn it, you're insane....but working in a completely new way so it must be that insanity leads to brilliance. Can't wait to see what you do with this.
ReplyDeleteHahahaha - Eve, you're my new BFF!
ReplyDeleteNot nuts at all...just clever and innovating out of necessity! Bet the technique will be in a book in 10 years time!!
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